Žička kartuzija Monastery

HISTORY OF THE FORMATION OF THE CARTHUSIAN ORDER

The Carthusian religious community was founded by the monk St. Bruno, who was born in Cologne and educated in Reims. Alongside two like-minded companions, Bruno retreated into solitude to lead a life in accordance with the Gospel. However, his companions soon departed, leaving him alone. He was later joined by six individuals who shared his spiritual aspirations. With the support of Bishop Hugo of Grenoble, they discovered a suitable location in the rugged alpine valley above Grenoble in 1084. Here, amidst the solitude of the wilderness, they lived and prayed together. The monastic settlement, named after the rocky cliffs of the area, came to be known as Charteux – Cartusia.

Since the establishment of the first Carthusian monastery in 1084, their numbers expanded to 201 by the year 1500. These monasteries were dispersed across Europe, with the majority of them located in France. In the present-day territory of Slovenia, the Carthusians established four stations:

• Žiče – founded around 1160
• Jurklošter – founded around 1170
• Bistra near Vrhnika – founded around 1260
• Pleterje – founded around 1403

FOUNDING OF ŽIČKA KARTUZIJA MONASTERY

The exact founding date of the Žička kartuzija Monastery remains uncertain, but it it believed to have been established between 1155 and 116, coinciding with the drafting of its founding charter. Historians hold differing views on the initial years of the monastery by the Žičnica, but there is consensus that Otakar III Traungavec, the Styrian border count, and his son Otakar IV, the first Syrian duke, played pivotal roles in its foundation.

The reasons behind Otakar III’s decision to invite the relatively unknown Carthusian monks to his borderlands remain somewhat unclear. However, it is believed that Otakar III encountered the Carthusians during his travels in France and Italy, where the order already had established outposts. Inspired by his encounters with the order and perhaps influenced by their ascetic lifestyle and spiritual devotion, Otakar III decided to extend an invitation to the sons of St. Bruno to settle in his territories.

Otakar initially encountered difficulties in gaining approval for the settlement of Carthusians in Lower Styria. By the time of Otakar’s efforts, the Carthusians already had 18 established monasteries in France and Italy, with Žiče poised to become their first settlement outside of these traditional territories. Despite the initial obstacles, Otakar eventually succeeded in his endeavor.

Upon the arrival of the first Carthusians in the valley, the settlement of Žiče was already established. Initially lacking a name, the monastery eventually became known as Žička kartuzija Monastery, named after the nearby village of Žiče. Concurrently, the valley itself was named after the patron saint of the Carthusian church, St. John the Baptist.

Otakar III tragically passed away during the construction of the monastery on December 31, 1146. His son, Otakar IV, dutifully continued his father’s legacy and became a significant patron of the Žička kartuzija Monastery, ensuring its prosperity and longevity. Alongside the monks, numerous Styrian nobles and other dignitaries found their final resting place within the monastery’s grounds. Otakar III, together with his wife Kunigunda and their son Otakar IV, were interred in the monastery, resting in peace within the chapel built on the right side of the single-nave monastery church. Additionally, members of the Slovenske Konjice family and nobles from the Žovneški lineage, later known as the Celje family, were also laid to rest in the monastery.

LEGEND OF THE CREATION OF THE ŽIČKA KARTUZIJA MONASTERY

The legend surrounding the founding of the Žiče Monastery has been passed down through generations, with two distinct versions. In the first rendition, border count Otakar III embarked on the establishment of the Carthusian monastery upon his return from war. Seeking solace from his concerns, Otakar ventured into the hunting grounds of Konjiška Mountain with fellow noblemen. Venturing away from the group, he encountered a remarkably white hind in the shadowy hollows on the mountain’s south side. In pursuit of the graceful creature, Otakar stumbled upon the very site where the Carthusian monastery now stands. Amidst the pristine nature and potent energy, he experienced a divine vision while resting under a nearby tree. In his slumber, he encountered a radiant figure dressed in camel skin, identifying himself as John the Baptist. The saint instructed Otakar to erect a monastery at the spot of his slumber, to be inhabited by Carthusian monks led by St. Bruno. Assuring St. John the Baptist of his commitment, Otakar awoke to the commotion of hunters and a rabbit seeking refuge in his lap. Startled from his sleep, Otakar exclaimed in Slovenian, “Rabbit, look at the rabbit!” Hence, Otakar dubbed the place Zajec (rabbit in Slovenian), while German speakers referred to it as Seitz. Locals fondly refer to the monastery as “Zajcklošter” (rabbit monastery).

In the alternate version of the legend, Otakar is credited with initiating the construction of a monastery in Konjice. However, he was admonished by a saint for choosing a site deemed too small. Redirected by the saint, Otakar acquired a different location at the northern foothills of Konjiška gora Mountain from Leopold of Konjice. Almost completing the monastery and church, Otakar was again visited by the saint, chastising him for deviating from the original command. He instructed Otakar to dismantle the monastery but preserve the church, designating it as a parish church. Furthermore, the town of Konjice was to belong to the monastery. Following the saint’s directives, Otakar honored the original site, where he found his final resting place alongside his wife in the monastery. Their graves were adorned with white marble, marking the spot where John the Baptist first appeared to him.

MONASTIC RULES

The Žička kartuzija Monastery was originally constructed following the model of the French Carthusian Monasteries, known for their stringent regulations. Leading the monastery community was a prior, who resided in the upper monastery. Meanwhile, the lower monastery, accommodating lay brothers, was overseen by a procurator, responsible for managing the daily affaris and tasks.

Twelve monks lived in the upper monastery, which had thirteen cells, and were very educated for their time. Each monk had a cottage that included a workshop and a small garden. They adhered to a very strict order: about one third of the day was dedicated to verbal prayer, another third to reflection, and the final third to manual work. The monks of the upper monastery woke at midnight in the summer and about two hours later in the winter. Each monk prepared a modest lunch at noon. The fasts were initially very strict, and the food was simple; they did not consume meat other than fish. On Mondays, Wednesdays, and Fridays, they fasted with only bread and water. Silence was maintained in the upper monastery for the most part. On Saturdays, the monks met to discuss necessary issues and to make confessions.

The Carthusians wore simple white garments made of hemp canvas in the summer and white wool in the winter. Their attire included a pointed vest around the back, a long habit (a robe reaching down to their ankles), and a scapular on their shoulders, which was a length of cloth falling over the chest and back.

In the lower monastery, Špitalič, the procurator managed the entire economy, supervised the lay brothers, and welcomed guests. The lay brothers, who could not write, cultivated the land, raised livestock, and worked with necessary handicrafts. They had fewer fasting days because their work was physically demanding.

Over the centuries, the once strict Carthusian order at the Žička kartuzija Monastery became more relaxed. The humble and quiet monastery transformed into the seat of a powerful holder of vast estates and many subjects. Although the Charterhouse grew wealthy, it weakened internally. Repeated attacks by the Turks, heavy taxes, and various disasters caused the economy to falter. The decline reached its peak with the spread of Luther’s faith. In 1564, religious life ceased entirely. Archduke Charles ordered that all the monks, who were then living scandalously, be sent to other monasteries. In 1595, under Prior Viano Graveli’s leadership, order was restored and the monastery’s economy was revitalized. However, in 1782, during the reign of Joseph II, the monastery was abolished.

ECONOMY AND ARCHITECTURE OF THE MONASTERY

Around 1700, the Žička kartuzija Monastery had three churches in addition to the monastery – the Church of the St. John the Baptist, Visitation of the Virgin Mary Church and the Church of the St. Anne. They also owned mansions in Konjice, Oplotnica, Maribor, and Graz. Besides numerous fields, pastures, meadows, and forests, they had many vineyards. Notably, the monastery’s glassworks, located near the hospital church, deserve special mention. According to Ivan Zelko, it is believed to have existed as early as 1543, making it the oldest ‘glažuta’ (traditional glassworks) in Slovenian Styria. It had a furnace with 4 to 8 melting pots and produced glass for domestic use, pharmacies, and window panes. For their own needs, the monks in Špitalič set up a grinding mill, a brickworks for baking bricks, and a mill by the watercourse in Sotna, near Žiče.

Alongside the churches and their construction characteristics, the overall design of the monastery holds particular interest with the Carthusians, as it was relatively free and always guided by the available land for construction. The Church of the St. John the Baptist in the upper monastery dates back to the 12th century. It was constructed by French masters from the Great Carthusian Monastery in the Romanesque style, later undergoing Gothic modifications characterized by a narrow and elongated structure, pointed arches, ribbed vaults, and buttresses. In adherence to the order’s austerity, Carthusian architecture eschewed unnecessary decoration and luxury. The significance of the Žička kartuzija Monastery lies in its status as one of the primary monuments of early Carthusian architecture on a European scale, given that the first monasteries of this order have not been preserved.

STEP BY STEP

Author: Bogdan Badovinac, 2010
Location: Exhibition space

Since October 2010, the permanent exhibition “Step by Step” has been showcased in the protocol rooms of the renovated Žička kartuzija Monastery Economy Building. The exhibition is designed as a conservation gallery, showcasing over thirty years of the conservation profession’s efforts in restoring the Carthusian monastery. It serves as a vital source of information about a largely unknown and hidden aspect of the monastery’s history for today’s visitors.

The exhibition was prepared by the Institute for the Protection of Cultural Heritage of Slovenia, Regional Unit in Celje, in collaboration with the Municipality of Slovenske Konjice, to commemorate the 850th anniversary of the Carthusians’ arrival in the Žičnica Valley.

The renovation program and revitalization projects for the Žička kartuzija Monastery are aimed at comprehensively protecting, preserving, presenting, and reviving the monument’s facilities within a unified landscape monument area. Apart from its comparable European building qualities and the completed spaces of the Carthusian monastery, the uniqueness of the monument is also evident in the preserved duality of its spatial design, characterized by a construction-free intermediate space between the lower and upper monasteries.

The peace, serenity, primordiality, and spiritual ambiance that persist in the monastery contribute to its distinctive value, imbuing both past and future endeavors with meaning. Naturally, any further interventions must proceed with caution and consideration to avoid harming the monument. Utilizing non-destructive archaeological methods, it will be essential to explore the cultural layers of the entire settlement area encompassing the upper and lower monasteries, as well as the now-buried ponds.

Source: leaflet Korak za korakom… Obnova Zgornjega samostana Žičke kartuzije (Zavod za varstvo kulturne dediščine Slovenije, Območna enota Celje)

CULTURAL HERITAGE OF ŽIČKA KARTUZIJA MONASTERY

Author: dr. Nataša Golob, 2007
Location: Exhibition space

Since 2007, a permanent exhibition of Žiče manuscripts has been on display in the renovated Žiče kartuzija Monastery building. Unlike other religious orders, the Carthusians didn’t primarily spread the faith through oral communication; instead, they emphasized the written word. They only accepted individuals with a profound knowledge of language and writing skills into their ranks. A significant portion of their lives was dedicated to accurate transcriptions and the creation of new texts across various fields, including theology, astronomy, practical sciences, and literary endeavors. Among the preserved texts are numerous renowned works that serve as invaluable monuments to our intellectual heritage, both locally and within the broader Central European region.

The manuscripts from the Žička kartuzija Monastery provide, despite their diminishment, insights into several centuries of continuous development in medieval book production. Presently, approximately 120 medieval manuscripts and almost 100 fragments are known to exist. This represents only a fraction of the former wealth, much of which is now located outside Slovenian borders. Nevertheless, this collection constitutes the sole group of medieval manuscripts from the Slovenian region, representing nearly four centuries of uninterrupted manuscript production by the monastery community.

Given that the manuscripts are multi-layered monuments; they convey significant insights. The preserved signatures indicate that the library of Žička kartuzija once housed approximately 2,000 manuscripts. These texts bear multiple signatures from both monks and external transcribers, possibly benefactors of the monastery, showcasing a diverse array of paleographic styles. This collection stands as the only substantial group of manuscripts within our country where the evolution of decorated initials, often referred to as the “Žiče style,” can be traced. Furthermore, some manuscripts feature colorful painted embellishments, indicative of the period’s practice where professional, often itinerant painters contributed to such works.

As part of the permanent exhibition “Cultural Heritage of the Žička kartuzija Monastery,” visitors have the opportunity to view the original sanctioned Carthusian garment. This garment, a gift from the Carthusian Monastery at Pleterje, serves as a symbol of the white monks who once inhabited this monastery. Drago Iršič, who has dedicated over 20 years to revitalizing the herbalist tradition in his herbal pharmacy within the Žička kartuzija Monastery, received the garment as a gift from the Pleterje Carthusians.

A 32-page booklet titled “The Cultural Heritage of Žička Kartuzija” by Dr. Nataša Golob is available for purchase at the TIC Žička Kartuzija and TIC Slovenske Konjice shops. This booklet offers a comprehensive overview of the monastery’s history, the origins of the Carthusian order, the distinctive features of Carthusian monasteries, and highlights the Žička kartuzija Monastery as an architectural landmark. Additionally, it delves into the monastery’s former extensive library and discusses its future prospects.

FOR THE CURIOUS:

• Carthusians belong to a stricter monastic order known for its eremitic lifestyle, wherein members lead an ascetic existence away from worldly distractions and typically speak only when absolutely necessary. This practice earned them the nickname “Order of the Silent Monks.”Ž
• While exploring the exhibition, visitors can immerse themselves in the unique ambiance enhanced by Gregorian chants, a hallmark of Carthusian tradition. Monophonic singing, devoid of instrumental accompaniment, was the customary mode of vocalization for monks when performing texts from the Carthusian antiphonary. Within the manuscript room, guests can also experience these solemn melodies firsthand.
• Prospective members of the Carthusian order were required to possess a well-rounded education, proficiency in both their vernacular language and Latin, and the ability to write and compose new texts. Mere transcription skills were insufficient for admission into this esteemed order.

GLASS IN THE TOWN OF SLOVENSKE KONJICE

Author: Zlatko Magdič, 2014
Location: Exhibition area

On May 16, 2014, the permanent exhibitions at the Žička kartuzija Monastery were enriched by the addition of the “Glasses of the City of Slovenske Konjice” exhibition. This exhibition, authored by Zlatko Magdič, a native of Konjice, showcased the remarkable “Konjice crystal triplet” – comprising a wedding chalice, glassware for the city, and a chalice. These items represent a stunning crystal masterpiece, each adorned with a rich rainbow spectrum that intertwines light and shadows, encapsulating the area’s vibrant history. Notably, Slovenske Konjice became the first Slovenian town to possess its own crystal triplet, complete with an original seal. The exhibition was held in the cultural corner of the renovated civic protocol rooms of the Žička kartuzija Monastery.

In June 2016, the exhibition welcomed a stone table, previously admired for many years behind the Municipality of Slovenske Konjice building. Bearing the venerable year 1656 and once owned by the Carthusians, it was fittingly returned to its origins in the Žička kartuzija Monastery.

FOR THE CURIOUS:

• Stylized depictions of medicinal plants adorn jars within brushed oval medallions, drawing inspiration from motifs found on one of the legs of the stone table. On the wedding chalice, these plant symbols are replaced with symbolic rings.
• Legend has it that the marble table once graced a pavilion enveloped by tall roses, where monks would gather on Sundays to exchange wisdom while savoring herbal tea.
• The Carthusians, deeply involved in herbalism and medicine, are said to have assisted a seriously ill man in regaining his health through the use of herbs. Grateful for their aid, he gifted them the stone table as a token of appreciation.

FOR ROMANTICS:

As you stroll through the herb garden gracing the monastery’s front, pause amidst the tranquil hornbeam grove and settle upon a replica of the stone table. From this vantage point, immerse yourself in the breathtaking vista of the Žička kartuzija Monastery, enveloped in serene tranquility.

“ORA ET LABORA” – “PRAY AND WORK”

Author: Zvone Pelko, KD Zgovorna tišina, 2014
Location: Above the herbal pharmacy

“Through the Carthusian Rules (Consuetudines)” is an exhibition that delves into the spiritual and material aspects of Carthusian life. It serves as a follow-up to the Carthusian forged message Opus Humanum, prominently displayed at the entrance to the Žička kartuzija Monastery. Since June 22, 2014, this exhibition has been captivating visitors, located above the herbal pharmacy.

FOR THE CURIOUS:

In addition to the written Carthusian rules, the exhibition panels also feature photographs depicting monks from the Pleterje Monastery engaged in various tasks.

MODEL OF THE ŽIČKA KARTUZIJA MONASTERY

Avtor: MA. Miro Kvas,1998
Location: Cemetery Chapel

Inside the cemetery chapel, visitors can find a reconstructed model of the Žička kartuzija Monastery at a scale of 1:1000. This model depicts the entire monastery complex as it stood during the time when the lower monastery, situated in Špitalič, had already been abandoned. Notably, the grey-colored buildings in the model no longer exist; they either remain as ruins or have completely disappeared.

This model serves as a valuable tool for visitors, aiding them in envisioning the grandeur of the monastery.

FOR THE CURIOUS:

The cemetery chapel housing the model remains remarkably intact. This octagonal structure replaced the previous cross that occupied the site. Above the sundial on the south side of the wall, visitors can observe the carved inscription indicating the year of its construction – 1469.

SUMMER MUSIC EVENINGS IN ŽIČKA KARTUZIJA MONASTERY

Summer evenings in the Konjice area are synonymous with the enjoyment of captivating music. Among the highlights of the summer rhythm are the musical evenings hosted at the Žička kartuzija Monastery, a tradition that has endured for two decades. These concerts, held within the ancient monastery walls, exude a unique charm that draws music enthusiasts back year after year to bask in the melodic ambiance.

Throughout past summer evenings, audiences have been mesmerized and entertained by performances from renowned names in the Slovenian music scene, including Siddharta, Mi2, Nina Pušlar, Vlado Kreslin, Carmina Slovenica, Nina Strnad, Katalena, Nuška Drašček, Alenka Godec, Nuša Derenda, Neisha, Perpertum Jazzile, and many others. The Centre for Cultural Events is dedicated to curating programs of exceptional quality, catering to a diverse range of musical preferences to ensure an enriching experience for all attendees.

FOR THE CURIOUS:

The lineup of musicians set to perform at the Summer Music Evenings can be discovered in the event booklet titled ‘What, Where, When,’ issued by the General Library of Slovenske Konjice for the current year.

FOR THE ROMANTICS:

Summer concerts offer a splendid chance to enjoy leisure time in great company, amidst exceptional ambiance, with quality music, and refreshing drinks. In addition to the enchanting glow of lit torches that adds a special charm to the concert setting, you can also contribute to the relaxed atmosphere yourself. Simply bring a blanket, find your ideal “concert corner,” and relish the experience to the fullest!

FESTIVAL OF HANDWRITING

The Festival of Handwriting debuted in 2005, finding its fitting home within the historic walls of the Žička kartuzija Monastery, where centuries ago, the renowned Žiče manuscripts were crafted. The festival’s primary aim is to inspire primary school students to independently compose texts on annually changing themes, infusing them with their personal touch and unique messages. Over the years, the festival has transcended local boundaries, attracting participation from numerous primary schools across Slovenia. The culminating event always includes a cultural program, during which outstanding contributors are honored with special awards and symbolic prizes. Subsequently, all received works are proudly exhibited in the exhibition premises at Žička kartuzija Monastery.

FOR THE CURIOUS:

Children’s imagination knows no boundaries. When coupled with handwritten text, it embodies the essence of what the Festival of Handwriting aims to foster. If you’re intrigued by the preservation of beautiful handwriting in our digital age, we cordially invite you to join us at the closing event. Experience firsthand the showcased creations from all participants

WEDDINGS AT ŽIČKA KARTUZIJA

  “… You see, here is a place where your fingerprints still rest,
your kisses are still felt and your whisper still echoes. It is a place
where a part of you will always be a part of me.”
– Gretchen Kemp

The Žička kartuzija Monastery, a former residence of the Carthusian Order dating back to the 12th century, stands out as a truly extraordinary destination, exuding both uniqueness and grandeur. Every visitor is captivated by its special charm and energy, drawing them back time and again to bask in its tranquil beauty.

Embark on a journey together and enrich your day by selecting a distinctive location that will etch itself into your memories forever. Let the serene allure of Žička kartuzija Monastery guide you into a new chapter of your shared life.

FOR THE CURIOUS:

You can send your wedding inquiry to poroka@zickakartuzija.si or call 041 602 235 – Mateja Smogavc.

FOR THE ROMANTICS:

The enchanting backdrop of the Žička kartuzija Monastery ensures that the photos captured here will forever evoke the memory of the day your paths converged as one.

HERBS FROM ŽIČKA KARTUZIJA

The Žička kartuzija Monastery has long been renowned for its healing practices, a tradition that traces back to its inception. Following the tenets of their order, the Carthusian monks led lives of modesty and simplicity, centered on renunciation, prayer, and meditation. They extended special care to the sick brethren and later to the surrounding community, maintaining a well-stocked pharmacy within the monastery grounds where medicinal plants were cultivated and remedies crafted. Records from as early as 1185 mention the monastery’s hospital, and it eventually became home to one of Europe’s oldest pharmacies, operational until the dissolution of the monastery. Remarkably, the manuscript of the monastery pharmacists’ “Book of Cures” has endured through the ages, preserving not only their own formulations but also ancient prescriptions, including those attributed to the renowned Roman physician Galen

For many years, the Iršič family has lovingly preserved the herbal tradition within the Žička kartuzija Monastery. Through years of dedicated effort, they have cultivated the renowned brand ‘Herbs from Žička kartuzija’. Within the restored defensive tower, visitors can explore a sales area boasting a diverse array of the brand’s offerings, including herbal teas, ointments, beverages, and an extensive selection of health-enhancing crystals.

For some time now, it has been recognized that herbs possess valuable qualities for crafting healthy foods and herbal beverages. In response, the Iršič family has curated a collection of their own recipes. With a desire to immerse visitors in the enchanting realm of herbs and the harmonious blend of unique flavours found within this verdant treasure trove, they offer tastings of herbal spreads and drinks, alongside other dishes infused with herbs.

Recognizing the importance of introducing young people to the benefits of herbs, the family hosts workshops aimed at educating participants about herbs found in both garden settings and the natural world. Attendees learn essential skills such as harvesting, drying, and proper herb storage, as well as gaining insights into their various uses. Under expert guidance, they craft their own herbal spreads, brew tea, and independently prepare a delectable feast, fostering a deeper appreciation for the power and versatility of herbs.

FOR THE CURIOUS:

When you visit the herbal pharmacy, be sure to explore the “Ora et labora” exhibition situated on the upper floor. Afterwards, take a stroll along the wooden balcony extending to the Fish Tower for a unique perspective of the Žička kartuzija Monastery. For those curious about the origins of the herbs utilized in their products, a visit to their organic farm at Meglič is highly recommended.

FOR GOURMETS:

The Iršič family also crafts their own unique spreads, utilizing a variety of grains grown on-site, complemented by cottage cheese and homemade herbs.

POTTERY ATELIER

The traditional potter stands out not only as a remarkable master of pottery but also as one of the rare artisans who has honed the nearly forgotten skill of crafting traditional black ceramics. Witnessing him at work is a testament to his mastery of clay manipulation and the creation of diverse items. Whether he’s operating a traditional wooden spinning wheel, powered by foot, or utilizing a modern electric version, his expertise shines through. Nonetheless, it’s widely acknowledged that firing remains the pivotal and most captivating aspect of the entire ceramic-making process.

Rok Komel is a creator whose soul and hands are deeply intertwined with clay, merging the universal and the intimate. His work resonates with both tradition and modern sensitivity, as it serves as a direct expression of the author’s sensibility.

Professor of history and ethnology in Celje, Rok Komel, finds himself drawn to various elements within the realm of ceramic artistry. From the interplay of artistic and functional forms to the pursuit of technological perfection and innovation, his interests span a wide spectrum. Rooted in his academic background, Komel delved into the intricacies of classical pottery during his studies, a foundation that now sets him apart as the sole classical potter in Celje. Today, alongside his focus on functional ceramics, he increasingly explores the creation of decorative and aesthetically designed clay items.

FOR THE CURIOUS:

All the finished products are elegantly showcased in the showroom and are available for purchase. Visitors are greeted with a diverse array of options, including pots, vases, chalices, sprinklers, Žička kartuzija Monastery signs, magnets, horseshoes, and more.

OTAKAR’S SPARKLING WINE CELLAR

Slovenske Konjice sparkling wines mature within the ancient vaulted cellars of the Žička kartuzija Monastery. Named after the monastery’s founder, Otakar III, who established it in the 12th century, this cellar holds a rich history. Original written sources document the Carthusians’ economic activities, with viticulture prominently featured among them. The Žička kartuzija Monastery exerted significant influence on the cultural and economic development of the region during that time and served as the central seat for all Carthusian Monasteries in the German lands of the era. As early as 1173, records mention the monastery’s own vineyards, generously granted by Ulrich II, the Patriarch of Aquileia. By 1485, during a visit to the monastery, Paolo Santonino observed: “In these times they alone have more wine than all the rest of the province combined.” Initially producing wine for their own consumption, the Carthusians eventually expanded into commercial trade. Today, the Zlati Grič Wine Cellar annually matures up to 60,000 bottles of white and rosé sparkling wine within its cellars

FOR THE CURIOUS:

Only those qualified to handle sparkling wines are permitted entry the cellars due to the consistent temperature maintained within.

FOR GOURMETS:

A glass of fine wine or sparkling wine awaits at Slovenia’s oldest inn, Gastuž. Wine and sparkling wine enthusiasts can savor the selection through organized tastings at the Zlati Grič Wine Cellar.

FOR THE YOUNGEST